Cinema brought to us by Imtiaz Ali
The cinema of film maker Imtiaz Ali is distinct yet real. The story lines, though criticized for being similar, raise a new question every time Ali brings it to the screen. His repeated use of symbols is a proof of us living in a loop we never identify and acknowledge. Similar to the repetitive symbols, the cycle of problems, taboos and toxicity has not been dealt with and removed from the social structure. Ali uses the tie in more than two movies, pointing to the social constraints faced by his characters. Again the use of illness has been beautifully used to join the strings of love and bond to the body. Definitely not a crowd favourite, Imtiaz has developed a niche over a decade and a half of story-telling in the form of feature films. In his 2015 release, Tamasha, Ved looks for his Tara while he is looking at the sky dotted with a million stars (Tara). Back in Jab We Met, Aditya finds peace in Geet, after she leaves; all he is left with is music (geet). Thus Ali bridges the gap b...